Showing posts with label DIY Network. Show all posts
Showing posts with label DIY Network. Show all posts

Crazy Garage Find


While trying to organize and clean the garage I found this guy. He was made while working on the Carol Duvall Show well over 10 years ago. I thought it was long lost. He's a nice memory. Carol gave me a little "nod" on the show because of him. I also have a mention on HGTV.com for this episode.

From the website...

"Duvall took some of the shapeless dolls back to the production staff to instill the spirit of dressing dolls. From a proper penguin to a silly sideways bug to a creature from outer space, everyone enjoyed the possibilities. Duvall's favorite design came from prop man Dave Lowe, who used scraps from crafting projects on earlier shows to put together a crazy doll that tied itself in knots! "

HGTV's Simply Quilts portfolio

In 1994 I was asked to design the set for HGTV's Simply Quilts by Weller Grossman Productions. At the time I was the art director & propmaster for the Carol Duvall Show which they also produced. I had never designed a set for HGTV (I inherited the Carol Duvall set from another designer) and jumped at the opportunity.

The design came with a challenge.

The new season of the Carol Duvall Show and the first season of Simply Quilts (being produced by the same company) was to be shot back to back. I was asked to design the Simply Quilts set as a re dress of the existing Carol Duvall Show set, which was scheduled to shoot it's next season first. Money and time was saved keeping the set standing without new construction. I was ordered to make look different and not change the lighting plan that already existed. I was given a day in between to do this, so one show could just roll into the other.

I accepted the challenge and designed a amish/rustic feel that everyone liked. The decor would instantly transform the old set.

Click on image to enlarge.


The main walls were the biggest problem. The quick change was tacking on wood paneling to create the warm, rustic feeling. The areas above it got a fast coat of sage green paint in under 2 hours. Easily repainted next year when going back to the Carol Duvall set.


In those days it was a 2 person set building shop in a backyard... my talented friend/carpenter, Greg Holleman and me. Greg alone built the posts, faux loft, demo table and pre made custom fit paneling for the walls. I focused on decor and other details including making the faux cast iron stove that sat between the chairs in the conversation area.

Shortly before the load in of the Carol Duvall set I was informed scheduling had changed. I was told I would have to transform the Carol Duvall set to Simply Quilts (and back again) every other 2 days...overnight. It was a long couple of weeks, but it happened, thanks to help from assists at the time Rob Lee, Chris Sullivan and Brett Winn.

The next year both shows thankfully each had independent shooting schedules. In the seasons after, the little details were asked to be removed and the design became a little watered down. The faux loft, hanging lamps and ferns were told to go away among other things. It still remained a re dress of the Carol Duvall set as of 1997 when I moved on from Weller Grossman productions.

I've noticed watching re runs of episodes after the years I worked on each, the Carol Duvall Show (at some point) got a brand new set. Simply Quilts looks like it continued to use the old set. Host Alex Anderson was always nice and patient with me and other crew new to quilts and learning at the time. When not showcasing a guest's quilts per episode we used Alex's to dress the set.

DIY's Craft Lab- the set ver. 2.0

One of my favorite projects in 2006 was redesigning the set for DIY's Craft Lab. I'll be honest, I was not happy with the set I did for the first season. This old post, Evolution of a Set, will give you a little backstory on that. I was thrilled to be told a new set was needed.

For the re-design I went back to my original idea that I believed had elements that would work.
I wanted the set to be a heavy industrial space softened by funky, bright decor. I also wanted it to be practical looking with real work tables etc. I had to consider a big new need, a space for "crafters"... 2-3 people to be working along with Jen (the host) and guest.

My budget did not allow for new construction so the first thing I did was play with the old set plans, rearranging the walls to be less cavernous than the first and knowing what worked last year and didn't.
I committed myself to the darker wall colors I wanted, rusted metal and gray cement. I then worked on the larger furniture in the workspace. I also began to consider what kind of decor would compliment host Jennifer Perkins.

From the start I wanted old lockers, a retro diner booth for the crafters and some kind of large wall art. The below image was the one I used to first pitch my new design. Thankfully everyone liked where it was going.

I abandoned the above long work bench idea. It was overkill. It would be great in a real workshop but not practical for t.v. filming. Everything began to fall into place and I finalized the layout and started in on the small details.
The angled shelf unit idea on the left came from a broken one in the prop room that stood like that and I found unique looking. The one you see on the finished set is the one from the prop room.



Below is the final drawing submitted for approval. It was a rare career moment, everyone concerned gave it thumbs up. A DIY exec particularly liked the fun details such as the bowling trophy collection...that idea was inspired by host Jennifer Perkins who actually collects them.

click on picture to enlarge.

The only issue of debate was the large wall art. My first idea was a pop art influenced collection of craft themed panels. The design was rejected.

My second design was a craft themed 70's romance comic cover. The below image was a quick photoshop mock up borrowing a couple of images from old covers to sell the idea. I started to design one with my own original art but it was nixed before I could finish it.


In the end they liked the old diner sign I had in my first sketch. My assist Jason Garner designed the finished one below and I painted it on a 3'x3' canvas.

That's my own computer borrowed from home....cursed budgets.

I had alot of fun with the little details on the set. I imagined that the space evolved around making crafts, no thought put into the decorating. Finished projects and inspired clippings would be put down or slapped up anywhere. Supplies, tools and works in progress everywhere. I let extension cords run to tools and paint drips on the table tops be visible, because that's a reality in doing crafts.

Personally, I think a creative workspace is not complete without a mannequin torso.

Many crafts involve oven baking so one was worked into the design. This guy was a cheap "as is" floor model... amazing what a coat of paint and new knobs can do. Jen Perkins is a big music fan so I threw in as much referance to it as I could, like the speaker.

The artisans at the set shop, The Scenic Route, did a great job... retro fitting the walls, repainting everything with amazing aged faux finishes and brilliantly improving the large "sono" tube columns from last year by skinning with linoleum. The lino was glued on with the backside out and painted. As usual my talented partners in all things t.v. art dept, Andri Silanandra and Jason Garner were there every second to help. Especially keeping DIY's Uncommon Threads prop needs moving along, I was designing Craft Lab while we were shooting it.

One thing I'll never forget with this re-vamp.

Last year a functioning sink with running water was needed for several episodes. It proved to be a big pain in the butt and never worked right. It's a simple enough t.v. trick: just run a garden hose from a spout and fit it to the faucet, and put a bucket underneath the sink for the water to drain into. Well, murphy's law proved true.

This time around I made it a personal mission to have the new sink work without failure. I had one person dedicated to it all day.

It worked perfectly so of course we used it only once.

Craft lab is now airing daily on HGTV as well as DIY!

Little bits for Knit Bits

I made a few fun props for DIY's Knitty Gritty this week. The show has "knit bits", short little nuggets of tips and tricks for knitters.

I made a haystack, a gunslinger holster for an electric hand mixer, a yarn ball that runs away and tiny workout gear for a "knit bit" on hand excersises...



Knitty Gritty host, Vickie Howell, gives her hand a rest between takes...

Craft Lab...View from a Host.

Portrait of a man thinking: "Now I get paid to do what they made me do at Happy Face Rest Home".







The amazing, talented and if in a good mood ...nice host of Craft Lab, Jennifer Perkins, has posted lots of behind the scene photos from the show.

Check them out at www.flickr.com/photos/80545533@N00/

Jen posted only the photos that showed her in the best light. I'll post my own pictures of her beating production staff not having her diet coke ice cold in the morning and her diva tantrums later.

The Crafty Chica and me.

The Crafty Chica herself, Kathy Cano Murillo took time to write a post about me. She must of been really scrapping the bottom of the barrel for something to write about yesterday.

Kathy has to be one of the sweetest, nicest, talented and most productive crafters in the world.

How sweet is she?...She is the only person I've met who described big sweaty Lucha Libre Mexican wrestlers in such a way that they seem like mythic warriors who hand feed baby birds in their off hours.

I learned alot from her as in this past post... click this link to read... The Line is Drawn.

She really has to lay off the glitter though...it's been 2 weeks since she was a guest on Craft Lab and I'm still finding some in the lint trap of my dryer.


Click on or go to www.craftychica.com/blogs/diary/ to read her unexpected post about me, then to her home page to enjoy all her work.

DIY's CRAFT LAB this week...Part 2

Although DIY network's Craft Lab wrapped on Wednesday, today was the Art Dept's last day spent packing, doing inventory and sending the last bits of the set off to storage.

For my team, Andri and Jason, it has been a very long 10 weeks working 7am to 7 pm every day shooting Uncommon Threads and Craft Lab back to back.

We had fun today role playing by parking in the primo reserved spaces. Andri was the host of the show, while Jason and I were big wig producers.



I told Andri I wanted this year's inventory to include as much detail as possible with a huge list. She took me too literally...I didn't know she had a clipboard that big.



I told Jason we had to be superhero's today and work super fast and get done super quick... he took it too literal as well...



My goal for the day was to get out of Dodge and ride off into the sunset, hours before the sun really did set...we did it!


Andri and Jason have been by my side for many shows for several years now. I have asked both to take on the craziest, most mundane, most complex, most degrading, most trusted and most creative of tasks at times.

For anyone wanting to be a prop/art dept. person on a "how to" studio show... know this...only 10% of your daily job is being creative. 90% of your day is spent as errand runner, laborer, luggage handler, dishwasher, concierge, stand in associate producer, backstage script doctor, shipping clerk, tour guide, stage manager, safety inspector, accountant, busboy and most requested need...janitor.

Andri and Jason do all without complaint, most days. I can't imagine working on any project without them.

Now go to I-Tunes and download "Wings beneath my Feet" and then re-read this entire post listening to it...come on...you need a good cry.

DIY's CRAFT LAB this week...Part 1.

This has been a long week working on DIY's Craft Lab. Lot's to tell but here are a few highlights...

Show Producer Brian and his A.P. (associate producer), Pirooz taped their last show this week and they arrived extra early on Wed. to make sure it went smooth...


I noticed the camera men are starting to get tired and grumpy, good thing we wrap next week...


New to the show this year is the CRAFTERS, they are 2 people hanging out each episode who make projects inspired by the craft topic. Kelsey coordinates casting them and helps them with the projects so they are done to show off in the last segment of each show...

The days are long but Kevin, the supervising producer has us meet in the parking lot each morning for the daily pep talk...

I'll have more behind the scenes details later in part 2.

The line is drawn using glitter.

Yesterday working on DIY's Craft Lab, I discovered there are two types using glitter...


You feel the need to add glitter to your project. You dab on the glue and pause a moment and think..."which one am I ?...which one ?"

Uncommon Threads wraps Season II

Today we shot the last show ending the second season of DIY's Uncommon Threads. It's been a crazy but fun few weeks and I look forward to next year's run. Today everything seemed off, I guess the long hours caught up with everyone ...here's some behind the scene photo's and a breakdown of the day...

6:45 am -Vince our P.A. arrived at the hotel to pick up our guests who by mistake took the UNCOMMON TREADWAYS TOUR bus moments before. Vince knew time was short and swung by Home Depot and saved the day...


9:45 am - It took extra time to bring our "new" guests up to speed but Gordon our director took it in usual stride and good humor...


10:40 am - The whole crew took a 15 minute break and Chris the production manager told a great story to the gang how he threw crab apples at the ol' man who kept our stick balls when they fell into his stage 2 next door during our lunch time games all season in the parking lot.


1:45 pm - "Wardrobe" Jane and "makeup" Suzi prepped the host of DIY's new show, TRIBALICIOUS for a quick camera test requested by the network at the end of our day.


4:45 pm - Uncommon Threads show producers...Alana, Loreli, Judy and Steve were still working hard in the production office going over every detail up until the last minute.


5:01 pm - The art department... Jason, Andri and I took a moment to get a group photo inbetween our many runs to Michael's or Jo-Anne's for gun powder...


6:14 pm - Executive producer Joel and I discussed how to make the set design better for next season. This is the new concept...


7:48 pm - Wrap! Host Allison Whitlock says she has not worked so many long hours since she was a child actor in Australia as the "feral kid" in Mad Max 2: The Road Warrior...


...and she made her own costume too!

Preface to UNCOMMON THREADS

I have just completed the new makeover set design of DIY's Uncommon Threads . I'm now working as the day to day art director, propmaster, prop person or that fat guy always smoking outside as I also design the set revamp for the second season of DIY's upcoming series Craftlab.

I'll be posting sometime in the future a story on the show's old set design evolution to the new season's design. In the meantime one of our talented and recent guests, Pam Gillette of Knotty Generation, posted her "behind the scenes" experience with a shout out to the props dept. on the show which made me smile. Here's the quote:

"Just before we were going to start taping, one of my skeins of yarn got tangled, and Dave, one of the props guys, jumped in and untangled my yarn, gotta love that! He also would re-thread the sewing machine for Allison between “takes”. I’ve decided I’d like a props person around the house, for when I need a little extra help…oh…wait a minute, that’s only in Hollywood."

For the full article on her experience visit www.knottygeneration.blogpot.com including a picture of me hard at work.

I know I do alot more in my day for Uncommon Threads... but thinking about it; Pam's need of untangling yarn to make her a more relaxed and prepared guest is what the props crew does. I could write alot about my daily job details but does anyone really want to read about deciding between green mats or blue mats to work on and other important decisions that the show demands? No, didn't think so.

Stylelicious set design



Stylelicious is a new show I designed the set for airing on the DIY network every Thursday at 11:30 am PST and 2:30pm EST. Stylelicious focuses on handmade wearable art projects for funky and fabulous creative people. It's hosts are rotating founding members of the Austin Craft Mafia .


Below is my first approach to the set, an artist's loft feel in true "how to" show set design style. Upon seeing this my executive producer gave me a direct order... "No brick!"


There's a good reason I and other designers go with loft themed sets for studio based "how to" shows. They have to be large spaces that give multiple cameras room to move easily, let demos be pre-set unseen in various locations and the lighting be consistant. A loft theme allows this and the wide open space still looks inviting and natural.

Almost every other "how to" show has a loft feel with brick (painted or bare) in the design and some variation of factory windows. I did know I was not thinking different but was very happy I had the O.K. to try and break the norm.

After a few meetings, the practical needs of the set were established. I researched the host's work and was leaning twords a retro feel. They all have thriving cottage industries and an artistic edge to their work that reflects their own lifestyles. My supervising producer suggested a "vintage" clothing store look to the set.

It was a good idea. I took a day or two visiting all I could find. After 15 or so different stores I noticed (atleast here in Los Angeles) none were any more different than a Salvation Army store with pretty paint on the walls. Nothing unique or inspiring in overall architecture and interior design.

However, It did cement my the strong retro inspired feelings as all the stores had it. I decided to approach the design with an old made new feel. I imagined a victorian home with elegance in architecture contrasted by unique and funky decor. To me this represented the Austin Craft Mafia's work...hip, artistic design with traditional handmade attention to detail and quality.

Below is a first attempt with the needs of the set in mind. I knew manniquins would be a important part of the show displaying finished work. I wanted "built in" alcoves to showcase. From here many idea's evolved. The overall look began to come together. The basic floorplan worked.


I wanted to have a general audience acceptable new fun look to the "demo" areas different from a traditional "how to" show. I proposed, although a little cliche... a hipster, cocktail culture bar and retro kitchen table area. These idea's were approved both "in house" and by the network.

Below is the first really tight design idea. You can see my wanted victorian elements.

I pushed the bar idea further by putting supplies/tools in Mondrian influenced shelves framed as large art pieces to the left and right. I felt this would help sell it as a fun workspace and not just a cocktail bar. I also added a large iconic route 66 billboard art piece... no real reason... I thought it looked cool and gave a small nod to Austin, Texas.


I started to think color from here.


Knowing the "bar" area was approved I used it to explore various themes so I knew I left no stone unturned...

The 50's wood paneling family room concept.


The Donny and Marie 70's Variety Hour concept.

Here's a version with some of the of both with blatant Mondrian art colored shelves.


I also played with a "rock a billy" thing. Here's an Airsteam trailer inspired window with a Fridgadaire bookcase.


I went ahead and merged all my above random idea's into this proposal below. I knew it would not pass but you never know what other's might like. I had fun with my Tim Burtonesque diamond pattern on the wall.


With the overall layout of the set approved, I went ahead and did a down and dirty foamcore model of the design as I was still thinking out specific decor and color.


Although only 1/2 inch scale, taking pictures from potential camera positions helps me to imagine the set as it might be. It's always amazing just how accurate this is (provided I did my math right) and really helps to trouble shoot any problem issues early on.



We now fast foward past many renderings, sketches, proposals, meetings, conference calls and e-mails. All concerned have opinions, notes and idea's...the director, lighting designer, hosts, network and production staff.


My artistic ego must be buried. This is the way it is on any production. On this project I was told "too distracting" in regards to ... the victorian detail, manniquin alcoves, the frames around the bar shelves and all idea's for patterns on wall or floor.

In the end the set becomes a amalgim of everyone's imput. It must also be within budget. The production manager often could care less what it looks like as long as it's cheap. Below is the approved final design.


Plans are drafted and the building begins at The Scenic Route, a shop here in Los Angeles.
Below the construction is near done, but all work halts as the color and set is approved by producers while there is still time to make any changes. It's thought the green is too bright and then repainted a shade or two darker.


The budget is tight and a few set pieces must be made in my small garage workshop. Pictured below is my talented assistant art director and friend, Andri, upholstering the bar rail.


In the design process came a requested important set element - the style stash- a place where our hosts would spontaneously go to get materials when inspired during a project as scripted.

As drawn.

The before... an cheap IKEA item.
We added some moulding, gave it ornate hardware, replaced the plexi glass panels with wire mesh and painted it with a worn look in bright colors.

The after. Not too bad looking and under budget.
You'll see alot of IKEA stuff in all your favorite decorating shows, network dramas and major films. It's inexpensive and stylish. The Burbank store is also within fast driving distance from all the major studios in town. No matter how big budget the production, every dollar counts. I've even noticed a IKEA item in Disney's PIRATES OF THE CARRIBBEAN movie . No joke! Look carefully. I won't tell you where, but is easy to spot if your an IKEA shopping veteran.

Below are pictures of the finished set.